WT

The Predator

2018 · Directed by Shane Black

🧘38

Woke Score

48

Critic

🍿42

Audience

Based

Critics rated this 10 points above its woke score. Among Based films, this critic score ranks #315 of 345.

🎭

Representation Casting

Score: 55/100

The film features Sterling K. Brown, Olivia Munn, and other actors of color in substantive ensemble roles, though they occupy supporting positions rather than leading the narrative.

🏳️‍🌈

LGBTQ+ Themes

Score: 0/100

No LGBTQ+ themes, characters, or representation are present in the film.

👑

Feminist Agenda

Score: 25/100

Olivia Munn's character provides some female representation in an action ensemble, though the film does not explore feminist themes or gender politics in any substantive way.

Racial Consciousness

Score: 20/100

While the cast includes actors of color, the film does not engage with racial themes, dynamics, or consciousness in any meaningful manner.

🌱

Climate Crusade

Score: 0/100

No climate-related themes or environmental crusading appears in this alien invasion action film.

💰

Eat the Rich

Score: 0/100

The film contains no anti-capitalist messaging or critique of economic systems.

💗

Body Positivity

Score: 0/100

Body positivity themes are absent from this action film focused on military personnel and alien combat.

🧠

Neurodivergence

Score: 65/100

Jacob Tremblay's autistic character is central to the plot, representing an explicit attempt at neurodivergent representation, though the character is treated more as a narrative device than a fully realized portrayal.

📖

Revisionist History

Score: 0/100

No revisionist history appears in this science fiction action film set in a contemporary timeframe.

📢

Lecture Energy

Score: 15/100

The film occasionally gestures toward social awareness through its casting choices but avoids any overt preachiness or explicit messaging about its progressive elements.

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Synopsis

When a young boy accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race.

Consciousness Assessment

The Predator arrives as a curious artifact of 2018 progressive filmmaking, a blockbuster that wears its social consciousness like a hastily acquired costume that never quite fits properly. Shane Black, a director known for ensemble casts and rapid-fire dialogue, attempts to introduce neurodivergent representation through Jacob Tremblay's autistic character, a genuine novelty for the franchise at that time. The film also features Sterling K. Brown and other cast members of color in substantive roles, suggesting an earnest if somewhat superficial commitment to representation. Yet the film's progressive ambitions collide awkwardly with its narrative demands, producing something that feels less like genuine cultural awareness and more like a checklist dutifully completed.

The central problem lies not in what the film attempts but in how carelessly it executes. The autistic character is rendered more as a plot device than as a fully realized human being, his neurodivergence treated as a convenient explanation for why alien creatures respond to him rather than an authentic exploration of that experience. Similarly, the ensemble's diversity feels more decorative than structural, with characters of color occupying supporting positions in a story that never interrogates power dynamics or systemic concerns. The film's action sequences and humor operate in a register entirely divorced from its social gestures, creating a profound disconnect between what the film claims to represent and what it actually shows us.

What remains is a film that embodies a particular moment in blockbuster filmmaking: one in which progressive representation was being incorporated into mainstream action vehicles without the filmmaking itself being transformed by that incorporation. The Predator wants credit for trying while refusing to do the harder work of interrogating what those attempts actually mean. It is a film that mistakes inclusion of marginalized characters for genuine interrogation of marginalization itself, a distinction that matters considerably.

Analysis generated by our Consciousness Algorithm

Critic Reviews

48%from 49 reviews
The Playlist83

Insanely violent, packed with off-color jokes, and of course, sentimentality, “The Predator” is one of the most enjoyable popcorn flicks hitting multiplexes this fall season.

Victor StiffRead Full Review →
RogerEbert.com75

Shane Black’s The Predator is a fun, brutal, fighting machine that wastes no time getting down to business — not unlike its title character.

Brian TallericoRead Full Review →
The Globe and Mail (Toronto)75

On the whole, the film slays in all the right ways: killer cast, killer one-liners, killer kills. But there's a distinct sense that the story is stitched together from other, hastily discarded plot lines – even the simple manner in which some characters get from Point A to Point B is messy.

Barry HertzRead Full Review →
New York Post12

Racially offensive quips, flagrant sexism and Tourette syndrome gags all contribute to this witless, scare-free junk.

Johnny OleksinskiRead Full Review →

Consciousness Markers

🎭
Representation Casting55

The film features Sterling K. Brown, Olivia Munn, and other actors of color in substantive ensemble roles, though they occupy supporting positions rather than leading the narrative.

🏳️‍🌈
LGBTQ+ Themes0

No LGBTQ+ themes, characters, or representation are present in the film.

👑
Feminist Agenda25

Olivia Munn's character provides some female representation in an action ensemble, though the film does not explore feminist themes or gender politics in any substantive way.

Racial Consciousness20

While the cast includes actors of color, the film does not engage with racial themes, dynamics, or consciousness in any meaningful manner.

🌱
Climate Crusade0

No climate-related themes or environmental crusading appears in this alien invasion action film.

💰
Eat the Rich0

The film contains no anti-capitalist messaging or critique of economic systems.

💗
Body Positivity0

Body positivity themes are absent from this action film focused on military personnel and alien combat.

🧠
Neurodivergence65

Jacob Tremblay's autistic character is central to the plot, representing an explicit attempt at neurodivergent representation, though the character is treated more as a narrative device than a fully realized portrayal.

📖
Revisionist History0

No revisionist history appears in this science fiction action film set in a contemporary timeframe.

📢
Lecture Energy15

The film occasionally gestures toward social awareness through its casting choices but avoids any overt preachiness or explicit messaging about its progressive elements.