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Cry Macho

2021 · Directed by Clint Eastwood

🧘8

Woke Score

58

Critic

🍿51

Audience

Ultra Based

Critics rated this 50 points above its woke score. Among Ultra Based films, this critic score ranks #950 of 1469.

Consciousness MeterUltra Based
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Synopsis

A one-time rodeo star and washed-up horse breeder takes a job from an ex-boss to bring the man's young son home from Mexico.

Consciousness Assessment

Cry Macho is a film that exists in almost willful indifference to the cultural preoccupations of its era. Directed by and starring Clint Eastwood in his 91st year, it is a throwback to the classical Western tradition, concerned primarily with masculine redemption and the passage of time. The narrative follows an aging rodeo hand retrieving a boy from Mexico, a premise that generates no particular cultural anxiety or progressive sensibility. The Mexican setting and supporting cast serve as mere scenery rather than vehicles for any meaningful exploration of cross-cultural consciousness or systemic critique.

What emerges from the film is a deeply traditional vision of masculine worth through physical prowess and emotional stoicism. The boy's mother is presented as an obstacle, an alcoholic complication rather than a character of substance. The narrative centers entirely on the relationship between two men, with women functioning primarily as problems to overcome. There is no attempt at interrogating these dynamics or offering contemporary perspective on gender or family structures.

The film's box office performance reflected its limited appeal to modern audiences. With a $33 million budget yielding only $14.7 million in domestic gross, it failed to find an audience for its anachronistic sensibilities. Critics noted its competence as a character study but found little urgency or relevance in its meditation on aging. For those seeking any markers of contemporary progressive consciousness, the film offers virtually nothing. It is, in its own way, admirably unreconstructed.

Analysis generated by our Consciousness Algorithm

Critic Reviews

58%from 44 reviews
The Film Stage91

Clunky and cranky in the most charming of ways, the film always moves in sync with its 91-year-old star, lingering on moments of solitude for long periods while brushing past more traditional plot points with ease.

Glenn Heath Jr.Read Full Review →
The Playlist91

Clint may be playing the hits in Cry Macho, but boy, are the notes lovelier than ever.

Brandon StreussnigRead Full Review →
RogerEbert.com88

These small events transpire in beautifully shot, unhurried scenes. This is Eastwood’s version of pastoral. Mike pieces his ruined life back together in a sense. He finds pleasure in being of service to a community. The professed agnostic takes Marta’s hand when she prays to begin a meal, and likes it. The simple sincerity about what’s worthwhile in life is the movie’s reason for being. Nothing more and nothing less.

Glenn KennyRead Full Review →
The Associated Press25

The film is apparently supposed to be a meditation on masculinity, with Eastwood’s one-time rodeo star Mike Milo taming and rebuilding his young rebellious charge into an honorable young man. Instead, it’s a meditation on clumsy and predictable filmmaking.

Mark KennedyRead Full Review →